The last hour of the day is commonly referred to as golden hour. It can be used to create a beautiful glowy photo. Or if used incorrectly, the image can be filled with lots of white blown-out highlights. So, how do you do a photo shoot at golden hour?
Is 20 minutes really enough time for a mini-session?
If you ask any of my clients that have had a mini-session with me, the answer will be a re-sounding YES.
Many times when people envision a one year session it’s about the cake. What a one year old will do with a cake can range from no interest to a full on face plant. So naturally, parents think the one year photo session should be about the cake.
When I started my business in 2007, I spent hours pouring over online articles. I wanted to know how it all worked. How do you book a session, how long should it take, how do you decide which photos to edit, what software do you use to edit them? SO. MANY QUESTIONS.
Studio sessions don’t have to be boring! I personally love shooting in my studio because there are no variables. I can always count on good light coming through the windows. There’s no wind to mess up hair and I don’t have to photoshop people out of the background!
Golden hour is not the only hour for photography! I schedule sessions at all times of day and each hour has it’s own positives and negatives.
Shooting in full sun can definitely be challenging, but there are a few little tips you can keep in mind to make your photos so much better!
I’m a big fan of muted neutral colors for photo sessions. This palette has just the right amount of color mixed with pattern and texture.
Mamas…the ones who make the world go round…this is for you.
I’ll be opening my Long Beach studio on May 2 for a special discounted event. Come with your baby or come with your big kids.
It’s been a minute since I’ve offered spring mini-sessions. But, IT’S TIME! We’re so lucky to have an abundance of wildflowers and long grass. All that texture is so pretty for photos!
When you see photos that aren’t posed, you feel like you’re getting a ‘fly on the wall’ vantage point of the subjects life.
But, how do you achieve that as a photographer? How do you take naturally candid photos when they hired you to be there?